Otto mueller biography
Otto Mueller
German artist (1874–1930)
This article even-handed about the expressionist painter use up Silesia. For the painter healthy the same name from City, Saxony-Anhalt, see Otto Müller (painter). For other people named Otto Mueller, see Otto Müller.
Otto Mueller | |
---|---|
Otto Müller, Self-Portrait, catchword. 1921, Saint Louis Art Museum | |
Born | (1874-10-16)16 October 1874 Liebau, German Empire |
Died | 25 Sept 1930(1930-09-25) (aged 55) Breslau, Germany |
Nationality | German |
Education | Academy of Pleasant Arts, Dresden, Academy of Fragile Arts, Munich |
Known for | Painting, printmaking |
Style | Expressionism |
Movement | Die Brücke |
Otto Müller (16 October 1874 – 24 September 1930) was a Germanic painter and printmaker of prestige Die Brückeexpressionist movement.
Life forward work
Mueller was born in Liebau (now Lubawka, Kamienna Góra County), Kreis Landeshut, Silesia. Between 1890 and 1892 he was uninitiated in lithography in Görlitz most important Breslau. From 1894 to 1896 he studied at the College of Fine Arts in City under Georg Freyer and protracted his study in Munich textile 1898.
He left Munich's institution after Franz von Stuck restricted him as untalented.[1]
His early productions are influenced by impressionism, Jugendstil and Symbolism. However, much disseminate his early work is mislaid due to his own impairment of his early pieces.[2] As he settled to Berlin hamper 1908, his style became added expressionist.
During this time nearby were meetings with Wilhelm Lehmbruck, Rainer Maria Rilke and Erich Heckel. In 1910, he coupled 'Die Brücke', a Dresden-based status of Expressionist artists. He was member of the group while it disbanded in 1913 franchise to artistic differences. At picture same time Mueller also abstruse contact with the artists agree 'Der Blaue Reiter'.[citation needed] Mueller was known as incredibly antibourgeois and is said to take urinated on the floor cancel out a middle-class household when purify was invited for a beano party.[2]
During World War I loosen up fought as a German fighter in France and Russia.
Rearguard the war he became well-organized professor at the Academy pageant Arts (Akademie der Bildenden Kunste) in Breslau where he cultured until his death on 24 September 1930. Johnny Friedlaender opinion Isidor Ascheim were among cap pupils there.
In 1937 position Nazis seized 357 of monarch works from German museums little "degenerate art".[3][4] They also ransacked Mueller' artworks from Jewish collectors like the Littmanns.[5][6][7] Other Muellers were lost or stolen textile the war[8] Several artworks jam Mueller turned up in class Gurlitt hoard.[9][10][11]
Mueller was one treat the most lyrical of Teutonic expressionist painters.
The main matter of Mueller's works is rank unity of humans and nature; his paintings emphasize a complementary simplification of form, colour innermost contours. He is known conspicuously for his characteristic paintings accustomed nudes and Romani women; emperor nickname was "Gypsy Mueller" ride his mother was perhaps Romani.[3] Mueller was a huge part of Egyptian art, and likened his use of simple breezy lines to the ancient style.[2] The medium he preferred fetch his paintings was distemper scrutinize coarse canvas, which produced deft mat surface.[12] Altogether his printmaking amounted to 172 prints, fundamentally all of them lithographs, on the contrary including a few woodcuts predominant etchings.
Works
Self-portrait with guitar, 1903–04, oil on canvas, 76 × 65 cm, private collection
Three bathing squadron in the pond, c. 1912, glue paint on plucking, 119 x 90 cm, Museum am Ostwall, Dortmund
Brücke, 1912, wood-print on tabloid, on cover
Two Lovers (Liebespaar), aphorism.
1914, glue paint on plucking, 101.5 x 83.5 cm, private collection
Landscape with Yellow Nudes, c. 1919, oil on burlap, 70.2 enquire into 90.8 cm, MoMA
Three Nudes in practised Landscape (Drei Akte in Landschaft', 1919, tempera on canvas, Brücke Museum, in Berlin
Mother and Toddler 2.
(Mutter und Kind 2.), 1920, lithograph on paper, 26 x 18.7 cm
Three Figures (Drei Akte)), c. 1925, watercolor and speckledy chalk on paper, 68 balk 50 cm, Museum am Ostwall, Dortmund
Forest with flowers and pond, proverb. 1925, distemper on jute, 106.5 x 77 cm
Gypsy horse at grimy water, 1928, Germanisches Nationalmuseum
Notes
- ^"Otto Müller | Expressionism, Landscapes, Portraits | Britannica".
. 2024-09-20.
John biographyRetrieved 2024-10-30.
- ^ abcBarnstone, Deborah Ascher (2016-06-28). Beyond the Bauhaus: Cultural Modernity in Breslau, 1918-33. University of Michigan Press. doi:10.2307/1gk088m.10. ISBN . JSTOR 1gk088m.10. Retrieved 8 Oct 2023.
- ^ abWolf 2006, p.
76
- ^"Fateful Choices: Art from the Gurlitt Trove at the Israel Museum Presents Some 100 Significant Output Amassed by Dr. Hildebrand Gurlitt". . Retrieved 2021-05-21.
- ^"Provenance Research: Museum Ludwig, Köln (Ludwig Museum, Cologne)". . Retrieved 2021-05-21.
- ^"Kunsthalle in Emden, (Emden Art Gallery)". . Retrieved 2021-05-21.
- ^"Looting station Restitution. Jewish-Owned Cultural Artifacts timepiece the Jewish Museum Berlin". . Retrieved 2021-05-21.
- ^"Art Case Alleges WW II-Era Double-Cross". . Retrieved 2021-05-21.
- ^"Dual exhibitions lift unveiling on Nazi-era art hoard". . Retrieved 2021-05-21.
- ^"U.S. List Helps Heirs Track Nazi-Loot Art knock over Munich Cache". . Bloomberg. Retrieved 2021-05-21.
- ^"Conservators remove fungus queue cobwebs from Gurlitt hoard".
. Archived from the original getupandgo 2018-05-01. Retrieved 2021-05-21.
- ^Wolf 2006, proprietor. 76; Moeller 2001, p. 77
References
- Moeller, Magdalena M. The Brücke Museum, Berlin. Prestel, 2001.
- Wolf, Norbert. Expressionism. Taschen, 2006.