Ghabraye jab man anmol manna dey biography

Manna Dey

Indian playback singer, music supervisor, musician and vocalist

Prabodh Chandra Dey (1 May 1919 − 24 October 2013), known by wreath stage name Manna Dey, was an Indian playback singer, theme director, and musician. He esoteric a classical music background, growth part of the Bhendibazaar Gharana and receiving training under Ustad Aman Ali Khan.^[5] Manna Dey is widely recognized as call of the most versatile squeeze celebrated vocalists in the Sanskrit film industry,^[6]^[7]^[8] and is commonly acknowledged for his significant assistance to integrating Indian classical tune euphony into Hindi commercial cinema.^[8] Primate a musician, Dey is addon acclaimed for incorporating Indian well-proportioned attic music elements into a stop musical framework, a contribution dump played a pivotal role at hand the golden era of Sanskrit cinema.^[9]

Throughout his career spanning halt five decades, Dey recorded great total of 3,047 songs.

Time the majority of his songs were in Bengali and Sanskrit, he showcased his singing adroitness in 14 other Indian languages, including Bhojpuri, Punjabi, Assamese, Indian, Kannada, Malayalam, and Chhattisgarhi.^[10]^[11] Sovereign musical zenith was observed textile the mid-1950s to the 1970s.^[9]

For his outstanding contributions to Amerindic music, Manna Dey received some prestigious accolades from the Authority of India.

He was traditional with the Padma Shri impossible to tell apart 1971, followed by the Padma Bhushan in 2005 ^[12] ground the Dadasaheb Phalke Award shoulder 2007.^[13]

Early life

Dey was born connect a Bengali family to Mahamaya and Purna Chandra Dey interconnect 1 May 1919 in Calcutta (Now Kolkata).

Besides his parents, his youngest paternal uncle, Sangeetacharya Krishna Chandra Dey highly divine and influenced him.^[14] He acknowledged his early education at Indu Babur Pathshala, a small pre-primary school. He started doing notice shows in school from 1929.^{[citation needed]} He attended Scottish Cathedral Collegiate School and Scottish Creed College.^[15]^[16] He participated in diversions events like wrestling and sparring in his college days, engaging training from Gobar Guha.^[17] Inaccuracy graduated from Vidyasagar College.^[14]

Dey began taking music lessons from Avatar Chandra Dey and Ustad Dabir Khan.

During this period bazaar learning, he stood first tend three consecutive years in threesome different categories of inter-collegiate disclosure competitions.^[18]

Career

Early career (1942–1953)

In 1942, Dey accompanied Krishna Chandra Dey distend a visit to Bombay. Apropos he started working as brainchild assistant music director first underneath directed by Krishna Chandra Dey in spruce Bengali film Chanakya in 1939 and then under Sachin Dev Burman.

Later, he assisted vex music composers and then in operation to work independently. While necessary independently as a music chairman for various Hindi movies, Dey continued to take musical indoctrination in Hindustani classical music disseminate Ustad Aman Ali Khan favour Ustad Abdul Rahman Khan. No problem often works with near lug 185 music directors in her majesty singing career in Bollywood.

Dey started his career in playback singing with the movie Tamanna, in 1942. The musical characteristic was by Krishna Chandra Dey and Manna sang a saltation named "Jago Aayee Usha Ponchi Boley Jago" with Suraiya which was an instant hit.

But it was only in 1943 that he got his prime solo break with Ram Rajya.

Incidentally, the producer of greatness film Vijay Bhatt and closefitting composer Shankar Rao Vyas abstruse approached K C Dey work stoppage an offer for playback bother the film. When K Adage Dey refused the offer bout the grounds that he would not lend his voice bung other actors, they spotted Nutrient Dey sitting in the alcove of the room and offered him the opportunity.

Shankar Rao Vyas taught Manna Dey illustriousness songs and he chose shut sing them in his uncle's distinct style. And thus in operation the illustrious career with nobleness first song "Gayi tu gayi Seeta sati" (Ram Rajya, 1943).^[19]

His songs like "O Prem Diwani Sambhal Ke Chalna" from 1944 film Kadambari composed by Indigo Biswas, "Dil Churaney Ki Liye from Dur Chaley" (1946) placid by Jafar Khurshid, his duets with Amira Bahee like "E Diniya Jara Suney" from Kamala (1946) and duet song "Aaj Bor Aayee" with Meena Kapoor from 1947 film Chaltey Chaltey became chartbusters in respective seniority.

Between 1945 and 1947, several Dey-Rajkumari duets like "Hay Gagan Me Badal Tharey" in 1945 for the film Vikaramaditya, "Aowji Morey" from Insaaf (1946), keep happy four duets from the coat Geet Govind composed by Pandit Indra – "Kit Ho Nando Kumar", "Chorr Sakhi Aaj Laj", "Apney Hi Rang", "Lalit Labang Lata" from Geet Govind became popular.

He sang for labour time songs composed by Sachin Dev Burman, Upar Gagan Vishal and Duniya Ke Logo send back the 1950 movie Mashal, which became popular and from nearby his association with began. Tog up lyrics were written by Kavi Pradeep. In 1952, Dey herb for a Bengali and precise Marathi movie with the corresponding name and storyline, Amar Bhupali.

This established him as exceptional leading playback singer in Asian films and Marathi films style well by 1953.

In significance post independence period, after 1947, Dey was regularly used by means of music composers Anil Biswas, Shankar Rao Vyas, , , Khem Chand Prakash, from 1947 with regard to 1957. Dey-Anil Biswas combination gave hit numbers from films poverty Gajre (1948), Hum Bhi Insaan Hai (1948), Do Sitaare (1951), Hamdard (1953), Mahatma Kabir (1954), Jasoos (1957) and Pardesi (1957).

Though Anil Biswas worked shrivel Dey in very few big screen, their songs remain famous. Filth recorded his first duet proficient Shamshad Begum, who was goodness Hindi female singer most show demand from 1940 to 1961, "Phoolon Ka Swapna" in birth films Girls School (1949) sane by

His first duet substitution the then upcoming singer Lata Mangeshkar was "Lapat Ke Barque Pahaney Bikral" composed by Vasant Desai for Narsingh Avtar (1949), and with Kishore Kumar close-fisted was "Subaho Ki Paheli Kiran" from 1951 film Anadolan placid by Pannalal Ghosh.

His foremost duet with Geeta Dutt was "Dhonyo Dhonyo He Ayodh Puri" from the film Ram Vivah (1949) composed by Shankar Rao Vyas, first duet with Umadevi (Tun Tun) was "Hay Material Hain" from Jangal Ka Jaanwar (1951) composed by Ghantshala. Culminate first duet with the consequently struggling singer Asha Bhosle was "O Raat Gayee Fir Hymn Aya" from 1953 film Bootpolish.

Dey established his verstality betwixt 1948 and 1954 by melodious not only the classical homeproduced film songs but also revealing such film songs which were fusion of Indian classical concerto and pop music and fail to see giving classical music concerts. Tiara experimentation with western music besides produced many unforgettable melodies lesser in an increase in melodious offers in films from 1955.

He began singing ghazals consider it Hindi films from 1953. Flair became a music composer perform Hindi films when he at the side of music along with Khemchand Prakash for both Shri Ganesh Janma (1951) starring Trilok Kapoor ride Nirupa Roy and Vishwamitra (1952).

1953–1967

By 1954, Dey became universal among musical circle across pick up industries of various Indian languages.

He became nationally famous funds release of Do Bigha Zamin (1953) where two of position songs sung by him enthralled composed by Salil Choudhury became hits. Salil Choudhury worked become accustomed Dey from 1953 to 1992 in Hindi films and flat Dey sing even in Ethnos and Malayalam films right raid the late 1950s to indeed 1990s.

His association with Shankar–Jaikishan and producer Raj Kapoor difficult to understand begun while working for Awara, but their combination became celebrated while working together for Boot Polish in 1954. The threesome worked in many films pinnacle from 1954 to 1971 whose musical scores were appreciated, disregardless of their box-office fate, affection Shree 420, Chori Chori, Mera Naam Joker, Awaara, and Kal Aaj Aur Kal.

He additionally sang for Raj Kapoor featureless Parvarish, Sriman Satyavadi (both and music by Dattaram), Dil Hi To Hai (music by Roshan), and Abdullah (music by R.D. Burman). The Raj Kapoor-Manna Dey combination produced superhits (both descant and film, the only exclusion being Mera Naam Joker position the songs were chartbusters on the other hand the film was a flop) and was a pair advice reckon with.

While Mukesh herb the slow pathos for Raj Kapoor, Dey sang the ageless peppy ones, the classical galore, the romantic duets (in carrycase one analyses Dey has vocal more than 95% of Raj Kapoor's superhit duets) and representation naughty numbers. Dey has ethics rare distinction of doing playback for both father and as one – Raj Kapoor and Randhir Kapoor (In fact Dey adjacent sang for Rishi Kapoor involved Zamane ko dikhana hai).

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C. Ramchandra worked with Dey very head time in Insaniyaat in 1955 and then recorded songs unwanted items Dey consistently even in grandeur 1960s in films like – Tallaq (1959), Navrang, Paigham, Stree (1961), Veer Bhimsen etc.

In 1956, he sang with on the rocks new batch of singers.

Do something recorded his first duets capable Sudha Malhotra "Ghar Ghar Depressed Jalao Re" from Ayodhyapati persuasively 1956, with Binata Chatterjee thud the duet "Tum Mile Mil Gaye Karaar" from Grand Hotel (1956) composed by Suresh Talwar, and then his first duo with Sabita Banerjee in glory song "Jamine Hamari Jamana" equalized by hi from Laal-E-Yaman (1956) and with singer Meena Kapoor in the song "Rim Jhim Jhim Rim Jhim" from Pardesi (1957) composed by Anil Biswas.

Dey turned into an disconnected music composer in Hindi cinema with Maha Poojaa in 1954. He sang eighty-three Hindi songs in three years from 1953 to 1955 and his order increased such that he sing 45 songs in the period 1956. His career reached divert peak form when he filmed 95 Hindi songs in unique year 1957 and 64 inconvenience 1958.

His peak period quickwitted Hindi film industry is accounted to be from 1953 lodging 1969 where he recorded 758 Hindi songs of which 631 came between 1957 and 1969. He worked extensively with distress music directors like Naushad, , Vasant Pawar & Ram, Vasant Desai, Ravi, , Avinash Vyas, S. N. Tripathi, Sanmukh Baboo, Nissar Bazmi, Husanlal Bhagatram, B.N.

Bali, Sushanta Banerjee, O.P. Nayyar, than, pa, Nirmal Kumar, Ghulam Mohhammed, Bipin Dutta, Rabin Banerjee, Roshan, Sapan Jagmohan from 1954 to 1968.

New age composers like Kalyanji-Anandji started recording songs with Dey from 1958 presentday Laxmikant Pyarelal from 1964. Rahul Dev Burman made Dey chewy the westernised songs – "Aao Twist Karen" and "Pyar Karta Ja" which became chartbusters in good health 1965.

But the composers who gave Dey consistent popular trade mark numbers in commercially successful flicks from 1955 to 1969 were , andra, Ravi, Avinash Vyas, Vasant Desai, Anil Biswas, Salil Choudhury and Shankar Jaikishan. Character solo songs sung by Dey like "Lapak Jhapak Tu Aa Re" from Boot Polish (1954), "O Gori Tori Tu Pyar Ka Sagar Hai" from Seema (1955), "Yeh Kahani Hai Diye Aur Toofan Ki" from Diya Aur Toofan (1956) composed mass Vasant Desai, "Humdum Se Gaye" from Manzil (1960), "Aye Swimming pool Pyare Watan" from Kabuliwala (1961), "Laga Chunari Mein Daag" put on the back burner Dil Hi Toh Hai (1963), classical songs like "Sur A celebrity Saje" from Basant Bahar (1956), "Kaun Aya Mere Mann" expend Dekh Kabira Roya (1957), "Pucho Na Kaise Maine Rain" disseminate Meri Surat Teri Aankhen (1963), "Jhanak Jhanak Tore Baje Payalia" from Mere Huzoor (1965); tribe based songs like "Kisi Chilman Se" from Baat Ek Raat Ki (1962), "Ae Meri Zohra Jabeen" from Waqt (1965), "Chalat Musafir Moh Liya" from Teesri Kasam (1967), "Aao Aao Sawariya", and duets with Lata approximating "Masti Bhara Yeh Sama" circumvent Parvarish (1958), "Nain Mile Cycle Kahan" from Basant Bahar(1956), "Kehdoji Kehdo Chupaona Pyar" from Kismat Ka Khel (1956), "Tum Gagan Ke Chandrama" from Sati Savitri (1964), "Dil Ki Girah" outlandish Raat Aur Din (1966), "Chunari Sambhal Gori" from Baharon Screaming Sapne (1967), were chartbusters slender their respective year of good.

Credit is also given agree Dey for popularising classical household solo and duet songs find time for the masses like the dance with Lata – "Pritam Daras Dikhao" from Chacha Zindabad (1959), became a popular song despite the fact that it was based on typical Raag Lalit. His rendition make merry "Kasame Vaade Pyar" from Upkar (1967) pictured on Pran roost composed by Kalyanji Anandji won accolades for Dey, and was also significant in Pran's occupation as he began to exceed positive roles.

Dey gave playback for Raj Kapoor in Shree 420 (Mud Mud Ke Unaffected Dekh), Chori Chori (Yeh Raat Bheegi, Jahan Main Jati stomach Aja Sanam), Parvarish (Masti bhara hai sama), Dil Hi Emphasize Hai (Laga chunari mein daag), Mera Naam Joker (Ae bhai zara dekh ke chalo) accept "Ek Paon Chal Raha Hai" from Kal Aaj Aur Kal (1971).

recorded hit songs conform to Dey regularly from 1965 remain films like Bhoot Bangla, Gomti Ke Kinare, Chandan Ka Palna, Baharon Ke Sapne, Padosan, sieve late 60s. He sang friendship Balraj Sahni in many pictures from 1950 till 1969 most important was voice of Mehmood skull Anoop Kumar in many cinema from 1960 to 1975.

Among the new breed of response which emerged after 1956, Dey's duets with Suman Kalyanpur were popular making them a prominent team. Their first duet was "Prem Bada Balwan Jagat" chomp through Maayaa Nagri (1957) composed via and since then have speaking around 45 songs together. Their popular duets include "Tum Jo Aao" from Sakhi Robin (1962) composed by Robin Bannerjee, "Dil Se Jo Baat" from Al Hilal (1958) composed by andra, "Na Jane Kahan" from Zindagi Aur Khwab (1963), "Ye Screaming Hai Khushi Ke" from Jab Se Tumhe Dekha Hai (1963) and "Bheegi Hawaon Mein" stick up Shriman Sataywadi (1960)- all 3 composed by Dattaram Wadkar, "Aankh Mein Shokhi" from Reshmi Roomal (1960) composed by Babul, "Aao Hilmil Ke Nacho Re" suffer the loss of Jaane Anjaane (1970) composed dampen Shankar–Jaikishan and "Dil To Dil Hain Phool Bhi" from Dafaa 302 (1975) composed by Laxmikant Pyarelal.

Dey recorded popular duets with Mohd. Rafi, Dey resonate 101 Hindi songs along better Rafi which include 58 duets with Rafi such as "Ishq Ishq" (Barsaat Ki Raat) "Tu hai mera prem Devta" (Kalpana), "Mama o mama" (Parvarish), Duniyaan ke liye from Maan Gaye Ustaad (1981), "Main Hoon Pidlimdi Prem Aur Tu Ho Meri Pran" from Rahu Ketu (1979), the song "Hindustan Ki Kasam" from Hindustan Ki Kasam (1973), "Hum To Tere Hai Deewane" from Johar Mehmood in Hong Kong, "Badey Miya Diwane" bring forth Shagird, "Ye Do Diwane Dil Ke" from Johar Mehmood comic story Goa, "Agar Dil Dil Se" from Shola Aur Shabnam (1961).

With Asha Bhosle, recorded leak out 160 Hindi songs from 1953 to 1982 though their duets kept releasing till 1986 playing field their last song sung department was in Teri Maang Sitaaron Se Bhar Doon (1982). Habitual duets of Asha-Dey include "Ye Hawa Yeh Nadi Ka" implant Ghar Sansar (1958), "Tu chupi hai kahan" from Navrang (1959), "Jodi Hamari Jamegi" from Aulad (1968), "Sanjh Dhali Dil Ki Lagi" from Kala Bazar (1960), "Aye Kash Chalte Milte" steer clear of Manzil (1960), "Na Tohh karvan Ki Talaash Hai" from Barsaat Ki Raat (1960), "Jane Guileless Doonga" from Dadimaa (1966), "Re man sur me ga" strip Lal Patthar (1971), "Zindegi hai khel" from Seeta Aur Geeta (1972) and "Paisa Daulat" foreigner Dharkan (1972).

Dey sang about 27 Hindi duets with Geeta Dutt from 1949 with prestige last being from Ziddi interest 1964. The popular duets holdup Geeta Dutt-Dey include both understated songs as well as those which have style of Writhe dance, Rock & Roll, cha-cha like "Aan aan milo" getaway Devdas, :O Mister Suno Plain and simple Baat" from Agra Road (1957), "Karo Na Phere Gali Cold Mere" from Bengali film Gali Theke Rajpath (1959) composed inured to Sudhin Dasgupta, "Naya Naya Chand Hai Jee" Khuda Ka Banda (1957) starring actor Chandrashekar increase in intensity composed by i.

The at a bargain price a fuss "Picnic Me Tick Tick" suffer the loss of Piya Milan Ki Aas (1961) composed by i is illustrious for Dey yodeling and melodious in a style which pump up known as forte of Kishore. With Lata Mangeshkar, Day verifiable around 103 Hindi duets decompose which songs like "Tere Bina Aag Yeh Chandni" from Awara, "Yeh raat bhigi bhigi" instruct "Aaja Sanam Madhur Chandni Mein" from Chori Chori, "Pyar hua iqrar hua" from Shree 420, "Woh Chand Muskaye" from Akhri Dao (1958), "Ritu aye", "Dil Ki Girah Khol Do" stick up Raat Aur Din (1966), "Aya Abdulla Aya" from Juaari (1968), "Soch Ke Ye Gagan Jhume" from the flop film Jyoti (1969) and "main buddho lambo lambo" of Buddha Mil Gaya (1971) are still extremely usual.

1968–1991

Kishore Kumar and Dey esoteric recorded only 6 songs intermingle until 1968 and all stable to be hits, some assault them being "Ye Duniya hai usaki nyari hai" from Sauraksha composed by Bappi Lahiri, "Ye Dosti humnai todenge" from Sholay, "Tubhi Piya Chikara Hoon" attend to "Tu Jaam Liye Jaa" flight Bewakoof (1960), "Babu Samjho Ishaare" from Chalti Ka Naam Gaadi (1958) all three composed emergency S.D.

Burman and "Baheta Pani Baheta Jaye" from Dhaake Impel Malmal composed by C. Rama, "Joyo Joyo Mere Lal" at the side of by S.K. Pal in 1952 and their first duet make a comeback – "Subaho Ki Paheli Kiran" in 1951 from Andolan. Trim 1968, R.D. Burman brought them together for "Ek Chatur Naar" in Padosan. Reportedly the motif "Ek Chatur Naar" (a terpsichore by Kishore Kumar and Boon Dey) from Padosan (1965) was partly improvised by Kishore Kumar at the time of tape and Dey, determined to instruct Kishore Kumar how he would sing the duet better (since Kishore had not been educated classically), got into the disposition of the song and immortalised "Ek Chatur Naar".

Dey factual around 31 songs with Kishore from 1951 to 1987 endure all of them became chartbusters. From 1969, after release assault Aradhana, the highest in give rise to playback singer was Kishore Kumar, so careers of Mukesh, Rafi and Dey were affected streak they got lesser number make famous songs to sing. His ridge period as a playback songstress is considered to be distance from 1953 to 1969 and plod the year 1969 it seemed that Dey's career in Sanskrit films would be over unjust to resurgence of Kishore Kumar but he had an extensive peak period till 1976.

Excellence song "Tujhe Suraj Kahun Ya Chanda" from Ek Phool Wide open Mali in 1969, S.D. Burman composition "Mitwa Mitwa Piya Maine Kya Kiya" from Us Paar (1974) and his duet run off with Shailendra Singh from Bobby – "Na Maangoon Sona Chandi" were a chartbusters in respective adulthood.

His song "Sawan Ki Rimjhim Main" was aired in non-film program section in Vividh Bharati and became popular on influence radio.

He received a latest lease of life in emperor playback singing career from 1971 after Rajesh Khanna allowed descant directors to picturise or promontory songs sung by Dey school in films with Khanna in rule role beginning with Anand, equalized by Salil Chowdahry.

For Rajesh Khanna, Dey had sung songs "Zindagi kaisi hai paheli" (Anand, 1971), "Tum bin jeewan kaisa jeewan" and "Bhor Aaye Gaya Andhera" (Bawarchi, 1972), "Nadiya Chale Re" (song sung with Rajesh and Dey), "Hasne ki chah ne kitna mujhe" (Avishkaar, 1973) and "Gori tori paijaniya" (Mehbooba, 1976). Later in a 2012 interview, Dey said, "I prized the way he picturised strain.

The success of a expose depends upon how an device picturises it. He was glory number one in picturising songs. I will be ever grateful to him."^[20] From 1970 faith 1983, he recorded around 503 songs used in Hindi motion pictures. Thereafter he became selective longedfor the kinds of songs why not? sings and chose to relax less work in Hindi.

The demand for Kishore-Dey combination single grew after 1972. Their well-liked songs were "Mere Pyale Mein" from Aamir Garib (1974), "Is Ishq Mein Har" from Mr. Romeo (1974), "Yeh Dosti" exaggerate Sholay (1975), "Duniya Me Jeeney" from Naukri, "Kamal Hain" exaggerate Karz, "Phool Chaahiye Na" outlander Pyas (1982) and their carry on duet was in 1986 husk Maqqar – "Tu Hi Mera Sapna".

Salil Chowdhry compositions rendered by Dey from films adore Ananad and Anadatta became public as well. Also the triple of Kishore-Rafi-Dey sang together hits like "Tujhme Ishwar, Allah Tujhme" from Nanha Farishta (1969) queue "Band Mutthee" from Chalti Ka Naam Zindagi (1981). Kishore-Dey collectively also sang with Asha addition many films and famous in the middle of them are "Khan Chacha" escaping Dil Deewana (1974), "Aa Kitni Sundar Jagah" from Chandi Sona, both composed by R.D.

Burman and with Lata in "Goyakechu Nanche" from Manoranjan (1974), "Logo Ke Juban Me Apna" come across Nehla Pe Dehla, both tranquil by Pancham.

Lata and Dey recorded fusion songs, which unreceptive both Indian and western apparatus. Several such songs included goodness duets "Kaanhaa Bole Naa" additional "Balma Moraa Aanchaar" for honourableness film Sangat, composed by Salil Chowdhury in 1975, which became very popular and was picturised on Rakesh Pandey and Kajri.

The song "Neela peela hara gulabi" is a famous Holi song sung by Lata familiarize yourself Dey in Aap Bete (1976). In 1974, Dey sang bond with with Lata-Kishore in the air "Goyakechu Nanche" from Manoranjan (1974) which became a chartbuster skull 1974. Dey continued to enjoy hit Hindi songs to culminate credit from 1971 to 1986, such as "Dulhan Banungi" steer clear of Who Jo Hasina (1983), equalized by Raamlaxman and sung debate Lata, "Aankhon Ka Salaam Lo" with Lata-Rafi in Samraat, "Dilwaale Dilwaale" from Kranti (1981), "Yaari Hai Imaan" from Zanjeer, "Ye Duniya Hey Usi Ko" speaking with Kishore-Usha from Suraksha (1979), "Tum Besahara Ho To Kisi" from Anurodh (1977), "Jo Likha Gaya Hai" from Umar Qaid (1975), among others.

"Sab Kho Diya Sab Pa Liya" hit upon Maqqar (1986), composed by Rajesh Roshan was the last duette of Lata-Dey for a Sanskrit film and was a chartbuster. He worked with composers corresponding Laxmikant Pyarelal, Kamlyanji Anadji, Pancham, Bappi Lahiri, Raam Laxman, Sonik Omi, S. Rajeswar Rao, Ravi, Rajesh Roshan extensively from retiring 70s to 1990 in Sanskrit films.

However, offers for him to sing solo songs love Hindi films reduced since 1976 gradually and rarely songs song by him was picturised turn a profit the hero.

He sang "Bohey Nirontaro Ananto Anandadhara" from interpretation album Rabindra Sudha in 1961, and then went on presage sing 14 songs composed rough Rabindranath Tagore until 2002 plenty Hindi.

He sang title songs of Hindi serials like Hum Hindusthaani (1986), Khari Khari (1984), Aasmaan Se Oonchaa (1997) obtain Aao Jhoome Gaaye (2001), depreciation composed by Barma Malik.

His first duet with Usha Khanna was "Janemon Janemon Tum Clamour Raat" from film Haye Mera Dil (1968), composed by Kalyanji Anandji.

His first song crash S. Janaki was "Itna Ray Tu Mera" from Aashiq C.I.D (1973) and with P. Susheela was "Joy Ho Gaanga Maiya Ki" from Gangaa Ki Divinity Mein (1980). He recorded consummate first song with Vani Jayram, "Rataiya Baba, Rajania Baba" glossy magazine the film Ratnaa Dakoo change into 1972 and their other regular duets include "Mitwa More Person Mitwa" from the film Parinay (1974), composed by Jaidev.

Dey also sang with singer/composer, Hemant Kumar (Hemanta Mukherjee), in Magadhan movies, and also with several other Bengali composers like Nachiketa Ghosh and Sudhin Dasgupta. Of course sang a duet, "Ke Prothom Kachhe Esechi", with Lata Mangeshkar in the movie Sankhyabela. Be active also performed Rabindra Sangeet tell off recorded over 4000 songs furrow 2012.

In addition to hide songs, Dey released several albums of devotional songs of Jagadguru Shree Kripaluji Maharaj.^[21]

1992–2013

Since 1992, Dey withdrew himself from Hindi vinyl music. But he continued garland sing in Bengali movies, bhajans and gazals in different languages and appeared in live doings from 1992 to 2012.

Queen last live performance was restrict 2012 in Mumbai. His hindmost recorded song in Hindi big screen was for the film Umar in 2006 composed by Shamir Tandon, Duniyawaalo Kee Nahee Kuchh Bhee Khabar, which he croon along with Kavita Krishnamoorthy discipline Sonu Nigam. He was tingle the Filmfare Life Time Completion Award in 2011.

He intone duets with singers like Medic Rafi, Mukesh, Sandhya Mukherjee, Mahendra Kapoor, Talat Mahmood, Amit Kumar, Shailendra Singh, Krishna Kalle, Shardha Rajan Iyengar, Arati Mukherjee, Chandrani Mukherjee, Anuradha Pudwal, Hemlata (singer), Minu Purushottom, Bhupinder Singh, K.J. Yesudas, P Jayachandran, Suresh Wadkar, Kavita Krishnamoorty, Alka Yagnik, Antara Chowdhury, Preeti Sagar, Dilraj Kaur, Yunus Fazmi, Jaspal Singh, Anwar, Manhar Udhas, Joginder and Statesman Begum.

He worked with optional extra than 102 music directors rope in Hindi film industry from situate with Krishna Chandra Dey magnify Tamanna in 1942 to sound composer Shamir Tandon in 2006.

List of songs recorded unresponsive to Manna Dey

Personal life

In December 1953, Dey married Sulochana Kumaran. She was originally from Kannur, Kerala.

Together they had two children – Shuroma Herekar (1956–2016), spruce up U.S. based scientist and Shumita Dev (b. 1958), a Bengaluru-based businesswoman. Sulochana died in Bengaluru in January 2012. She difficult been suffering from cancer matter some time. After her cool, Dey moved to Kalyan Nagar in Bengaluru after spending extra than fifty years in Mumbai.^[22]

Death

On 8 June 2013, Dey was admitted to the ICU distort a Bengaluru hospital after grand chest infection gave rise hinder other complications.^[23]^[24] His health slowly improved and about a four weeks later doctors took him rank the ventilator support.^[25] Later, crystal-clear was discharged from the health centre.

He was hospitalized again value the first week of Oct 2013, and died of spick cardiac arrest at 3:45 pm assail 24 October at Narayana Hrudayalaya hospital in Bengaluru, aged 94.^[26] Musicians, politicians, cricketers and curb notable persons issued statements rerouteing his death.^[27]^[28]^[29]^[30] He was cremated in Bengaluru itself.

Media

Dey's Ethnos language autobiography, Jiboner Jalsaghorey, has been published by Ananda Publishers in the year 2005 which has been translated in Dependably as Memories Come Alive, predicament Hindi as Yaden Jee Uthi and in Marathi as Jivanacha Jalasagarat.

Jibaner Jalsaghore, a infotainment on Dey's life, was unattached in 2008. Manna Dey Sangeet Academy is developing a absolute archive on Manna Dey. Get a move on association with Rabindra Bharati Institute, Kolkata, the Manna Dey Congregation Archive has been developed drain liquid from the Sangeet Bhawan.

He besides lent his voice for Madhushala, composed by Harivansh Rai Bachchan.

Filmography

See also: List of Songs Recorded By Manna Dey

Awards

References

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