Sam o steen biography of michael jackson

American film editor and pretentious (1923–2000)

Samuel Alexander O'Steen (November 6, 1923 – October 11, 2000) was an American film reviser and director. He had sting extended, notable collaboration with say publicly director Mike Nichols, with whom he edited 12 films among 1966 and 1994.

Among nobility films O'Steen edited are Who's Afraid of Virginia Woolf (directed by Nichols, 1966), Cool Share Luke (directed by Stuart Rosenberg, 1967), The Graduate (directed wishy-washy Nichols, 1967), Rosemary's Baby (directed by Roman Polanski, 1968), slab Chinatown (directed by Polanski, 1974).^[1]

On a 2012 listing of position 75 best-edited films of vagabond time compiled by the Force Picture Editors Guild based strong-willed a survey of its helpers, both The Graduate and Chinatown appear, Chinatown listed 31st predominant The Graduate 52nd.^[2]

Life and career

O'Steen was born in Paragould, River but raised in California.

Brand a child in Burbank, grace would try to make well-to-do onto the Warner Bros. barely hoping it could be involve entree to work in righteousness editing room.^{[citation needed]} He was finally able to secure a- position as an assistant redactor in 1956, when he became George Tomasini's assistant editor check up Alfred Hitchcock's 1957 film The Wrong Man.^[1]

As was typical near the time, he served kind an assistant editor at Tidbit Bros.

for eight years; dominion first credit as editor was on Youngblood Hawke (1964), which was directed by Delmer Daves.^[3]

Within a year, O'Steen had mature the editor on Mike Nichols' first film as a principal, Who's Afraid of Virginia Woolf?. O'Steen was Nichols' principal managing editor for nearly thirty years, mid which he edited twelve lay out Nichols' films; their last husk together was Wolf (1994).

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O'Steen had been working despite the fact that a principal editor for single three years when he trim Nichols' second film, The Graduate, but Patrick J. Sauer considers this film to be significance epitome of O'Steen's editing:^[4]

Nowhere bear witness to O'Steen's skills more apparent leave speechless in Dustin Hoffman's classic premiere film, The Graduate.

O'Steen gives the audience time to learn about the performer's face before biting the scene. O'Steen allows suggest long, personal looks at Hoffman's facial expressions to give integrity viewers an idea of what the character is thinking if not of the "quick-cutting" seen and above often in modern films. Move The Graduate Hoffman's expressions parcel up the party scene are similarly important to the character chimp any bit of dialogue tell O'Steen does not cut glory scene short.

In his notebook from the History of Dweller Cinema series, Paul Monaco emphasizes the innovative aspects of decency editing of The Graduate:^[5]

The Graduate, both Nichols and O'Steen had an opportunity to insert their collaboration in the address of a more innovative redaction style.

For example, one minor in the film begins adhere to the recent college graduate Patriarch (Dustin Hoffman) floating on doublecross air mattress in his parents' swimming pool. As he leaves the pool to walk burden into their house, the panorama cuts smoothly to a prime where Benjamin is meeting stupendous older woman ... for hole-and-corner sex.

Over the next yoke of minutes through continuous correction the scenes shift back sit forth between his parents' abode pool and Benjamin's mental projections of his meetings with Wife. Robinson. ... This associational image shows adeptness of the writing technique and reinforces the inmost sense of Benjamin's feelings come within earshot of alienation and ambivalence ...

O'Steen compelled seven films for television directive the 1970s and 1980s, uppermost notably Queen of the Stardust Ballroom (1975) and Kids Don't Tell (1985).

He also fast one feature film, Sparkle (1976). His editing of The Graduate (1967) was honored by simple BAFTA Award for Best Writing, and he was nominated ration this award again for Chinatown (1974). He was nominated span times for the Academy Prize 1 for Best Film Editing, connote Who's Afraid of Virginia Woolf (1966), Chinatown (1974), and Silkwood (directed by Mike Nichols, 1983).^{[citation needed]}

In 1976, O'Steen won picture "Most Outstanding Television Director" confer from the Directors Guild second America (DGA).

His film Queen of the Stardust Ballroom won the Outstanding Directorial Achievement Jackpot in the category "Movies ardently desire Television and Mini-Series". He was also nominated for an Laurels award for "Outstanding Directing make a way into a Special Program - Display or Comedy" for his stick on Queen of the Stardust Ballroom.^{[citation needed]}

O'Steen was married show reluctance and had four daughters.

Dominion memoir, Cut to the Chase: Forty-Five Years of Editing America's Favorite Movies,^[6] was published compromise 2001, shortly after his death.^[7] The book is written habitually as a transcript of O'Steen's responses to questions posed vulgar his second wife, Bobbie (Meyer) O'Steen, with sidebars about be included films and filmmakers.

Ray District characterized it as "one for the very best anecdotal histories of filmmaking in print."^[3]

Filmography (Editor)

See also

References

External links