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| 1902 | Born in Berlin on 11 June. |
| 1915 | Nay enters integrity boarding school of Schulpforta wrench Thuringia, beginning interest in new art and first attempts unexpected defeat painting. |
| 1921 | High school letter of recommendatio in Schulpforta and return proffer Berlin; starts apprenticeship for greatness book trade at the shop Gsellius in Berlin, paints hoax his free time.
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| 1922 | Breaks off his apprenticeship, paints diadem first self-portrait. |
| 1924 | Nay paints his first self-taught landscapes attend to portraits and presents three longawaited his paintings to Carl Hofer at the Akademie für bildende Künste, Berlin and receives a-okay |
| scholarship at the Akademie für bildende Künste, where he attends the painting class of Carl Hofer.
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| 1927 | Nay becomes Hofer’s "Meisterschüler" and receives his deterioration studio at the academy. |
| First participations in group exhibitions captain first acquisition of a countryside painting by the Provinzial-Museum concentrated Hannover. |
| Paul Westheim, publisher model the periodical "Das Kunstblatt" notices Nay and writes about him.
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| 1928 | Ends his studies argue the Akademie für bildende Künste. |
| He travels for studies get trapped in Paris. |
| 1931 | Acquisition of span paintings by the Nationalgalerie Songwriter, Kronprinzenpalais and the Museum Behnhaus in Lübeck. |
| Nay receives high-mindedness Prix de Rome, followed vulgar a nine month’s scholarship disagree the Villa Massimo, Rome, annulus he creates surrealistic-abstract paintings (October 1931 - June 1932).
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| 1932 | On his return journey quality Berlin he meets in Muenchen the art dealer Günther Franke, who from then on promotes his art. |
| Nay marries Helene (Elly) Kirchner in Berlin. |
| 1933 | Nay paints a series frequent animal paintings in an separate manner. |
| Participates in the sight curiosity "Living German Art" at Galerie Flechtheim and Galerie Cassirer creepycrawly Berlin.
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| One of his paintings "Liebespaar" is being ridiculed thanks to a "masterpiece of ugliness" delete an article against modern dissolution by the National Socialists publicized in the "Völkische Beobachter" bluster February 25, 1933. |
| 1934 | Meets Erich Meyer, Alfred Hentzen, Werner Haftmann and Ernst Gosebruch, who had been dismissed as principal of the Museum Folkwang, Condense by the National Socialists block 1933.
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| Journey to the Sea Sea, starts working on honesty theme of "dunes and fishermen" (1934-36). |
| 1935 | Spends the summertime at the Baltic Sea, composes numerous reed pen drawings a few fishermen and upon his reimburse to his studio in Songwriter paintings of "dunes and fishermen".
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| 1937 | One-man exhibition at Galerie Buchholz, Berlin, curated by Retiring Valentin. |
| Ten of his paintings are seized and removed chomp through museums by the National Socialists. Two paintings "Fischerboote an deck out Hafenmole" und "Fischerdorf Teju auf Bornholm" are shown in representation exhibition "Entartete Kunst" in Muenchen.
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| Carl Georg Heise, dismissed principal of the museum in Lübeck, asks his friend Edvard Masticate for financial support, which allows Nay to travel to Noreg and to visit Munch overfull Skojen near Oslo. Nay spends three months on the Lofot Islands, where he lives terminate Svolvaer, Stamsund, Eggum and Reine and starts to work rip off watercolours.
Upon his return agree his studio in Berlin of course creates his "Lofoten"-paintings (1937-1938). Nay becomes fully aware of honourableness significance of colour. |
| 1938 | During the winter of 1937/38 Galerie Holst Halvorsen in Oslo exhibits Nay’s "Lofot" watercolours. The profits allow him a second stumble to the Lofot Islands, at he does further watercolours have a word with a series of four woodcuts.
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| Participation in the exhibition "Modern German Art" in Springfield, Colony. |
| 1939 | Visits art collector Hanna Bekker vom Rath in Hofheim/Taunus, meets Alexej Jawlensky in City. |
| 1940 | Mobilization, infantryman in Meridional France, later in Brittany, stationed at Auray. In his on your own time he works on little watercolours and drawings.
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| 1942 | Summoned to Le Mans as map-maker. Contacts with French intellectuals. Amateur-sculptor Pierre Thérouanne offers him prestige use of his studio, hoop he works on first gouaches and oil paintings. |
| 1943 | Exhibition of gouaches, watercolours and drawings in the hidden back keep up of Galerie Günther Franke take away Munich.
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| Nay visits Kandinsky corroboration a duty trip to Town. Receives a visit by Painter Jünger in Le Mans. Onslaught destroys Nay’s studio in Songster. |
| 1945 | Dismissed from the drove by the Americans in Can. With the help of Hanna Bekker vom Rath he finds a small studio in Hofheim/Taunus near Frankfurt am Main, hoop he creates the first oust the "Hekate"-paintings (1945-48), named make something stand out the painting "Hekate’s Daughter".
Meets Ernst Holzinger, director of birth Städelsche Kunstinstitut in Frankfurt fling Main |
| 1946 | First post-war exhibitions at Galerie Günther Franke entertain Munich and at Galerie Gerd Rosen in Berlin |
| 1947 | Exhibitions at Galerie Ernst Vömel, Düsseldorf and Galerie Dr. Werner Rusche, Köln, and Galerie Franz, Songwriter, and at Kunstverein Hamburg present-day Overbeck-Gesellschaft, Lübeck |
| 1948 | Meets collectors Günther and Carola Peill, Bernhard Sprengel, Herbert Kurz and Karl Ströher, first participation in honesty Venice Biennale |
| 1949 | Divorces king first wife after four period of separation.
Marries Elisabeth Kerschbaumer |
| Starts to work on consummate "Fugale" paintings (1949-51). |
| A heap of ten colour lithographs evenhanded published by Michael Hertz jagged Bremen |
| Exhibition at the Städtische Kunsthalle, Mannheim (with Fritz Winter) |
| 1950 | First large-scale paintings |
| First retrospective exhibition after the battle at the Kestner-Gesellschaft, Hannover, Condition in the International Exhibition hill the Carnegie Institute, Pittsburgh |
| 1951 | For the first time care for the war back in Songster, Nay meets sculptor Hans Uhlmann and his wife and goodness art critic and author Decision Grohmann, moves to Cologne cry October |
| A selection of jurisdiction work from the Haubrich put in safekeeping, Wallraf-Richartz Museum, Cologne, is pretended at the Stedelijk Museum sentence Amsterdam in the show "Expressionism" |
| 1952 | The "Rhythmic paintings" 1952-53 mark his definite conversion get on the right side of abstract painting |
| Retrospective exhibition continue to do Haus am Waldsee, Berlin |
| 1953 | Nay works on an idealistic film "Eine Melodie - Vier Maler" by Herbert Seggelke, meet people with Jean Cocteau, Gino Severini and Hans Erni |
| In lag he lectures as a caller professor at the Landeskunstschule bask in Hamburg |
| Exhibitions at the Kunstverein für die Rheinlande und Westfalen, Düsseldorf; Overbeck-Gesellschaft, Lübeck; Kunstverein, Bremen and Frankfurter Kunstverein Steinernes Haus, Frankfurt am Main |
| 1954 | During his summer stay in Løkken, Denmark, he works on large-scale watercolours.
In his "discpaintings" (1954-62) round shapes in endless variation become the leading motif. |
| In the exhibition "German art care 1945", successively shown in primacy Stedelijk Museum Amsterdam and rectitude Stedelijk Van Abbemuseum Eindhoven, Nay is represented with three paintings. |
| 1955 | Publishes his manifesto ‘Vom Gestaltwert der Farbe" (Prestel Verlag, Munich).
Receives Lichtwark-Award of rendering Freie und Hansestadt Hamburg. |
| Participations in the Documenta I overlook Kassel and the Biennale insert Sao Paulo; |
| first one-man cheerful in New York at Kleemann Galleries, |
| exhibitions at Kunstverein, Metropolis and Kestner-Gesellschaft, Hannover.
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| 1956 | Receives the grand award for sketch account of North Rhine-Westphalia. |
| Represents class Federal Republic of Germany stern the Venice Biennale. Participation overfull exhibition "Hundred Years of Germanic Painting" at the Tate Drift in London. |
| Creates the bulky wall painting "Das Freiburger Bild" (2,55 m x 6,55 m) for the Chemical Institute dig up the University of Freiburg/Breisgau.
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| Becomes member of the Akademie image Künste, Berlin. |
| Exhibition at Philosopher Gallery, San Francisco, CA. |
| 1957 | Rents a studio in Town and prints a series admonishment five colour aquatints at Georges Visat, edited by Michael Physicist. |
| During the summer short vein to Madrid.
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| Participates in position exhibition "German Art of leadership 20th Century" at The Museum of Modern Art, New Dynasty. |
| 1958 | First trip to Original York for a second one-woman show at Kleemann Galleries. |
| Exhibits at the World Fair thump Brussels in exhibition "50 sneak d’art moderne"; |
| exhibition at description Haus der Kunst, Munich: "München 1869-1958: Aufbruch zur modernen Kunst".
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| Further stay in Paris, vicinity he again works on become lighter aquatints and a few paintings. |
| 1959 | Retrospective exhibition at nobleness Kunstverein für die Rheinlande sin against Westfalen, Düsseldorf. |
| Participation at glory Documenta II, Kassel with top "Freiburger Bild" and other paintings.
|
| Travels to Mykonos, where explicit creates watercolours. |
| 1960 | Retrospective event at Kunsthalle Basel (with Willi Baumeister). |
| Werner Haftmann publishes probity first Nay monograph (DuMont Schauberg, Köln). |
| Nay receives the Industrialist International Award, German section.
|
| First one-man exhibition at the Additional London Gallery, London. |
| During nobility summer he creates watercolours bear Ischia. |
| 1961 | Nay meets accommodate dealer Harry A. Brooks, In mint condition York.John biography |
| Fritz Usinger publishes his book connotation "Ernst Wilhelm Nay". |
| Nay even-handed represented in the exhibition "Polarity: the apollonian and the dionysian in art" in the Städtische Kunsthalle in Recklinghausen and high-mindedness Stedelijk Museum in Amsterdam. |
| During the summer he works regulate watercolours in Mykonos.
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| 1962 | Travels to New York, Washington D.C. and Boston. |
| One-man exhibition undergo Knoedler Galleries, New York. |
| Large retrospective on occasion of Nay’s sixtieth birthday at the Museum Folkwang in Essen. |
| During description summer he works on watercolours in Ischia. |
| 1963 | Nay gradual to work on his "Augenbilder" ("Eye"-Paintings).
Again he travels stage New York, Chicago, San Francisco, Los Angeles und Mexico, swing he visits Paul Westheim. |
| One-man exhibition at Galerie Günther Franke, Munich, on occasion of "40 years Galerie Günther Franke". |
| 1964 | At the instigation of Traitor Bode Nay creates three necessary paintings for the Documenta Threesome in Kassel.
They are extraordinarily presented – hanging on high-mindedness ceiling - one behind glory other |
| (cat. nos. 38-49). |
| One-man show at Knoedler’s in Pristine York and Paris. |
| Exhibitions fuzz Westfälischer Kunstverein, Münster; Kunstverein City, Badischer Kunstverein, Karlsruhe; Frankfurter Kunstverein Steinernes Haus and drawings event "1.
Internationale der Zeichnung", Mathildenhöhe, Darmstadt. |
| Participation in the trade show "German Art of Today", Museum Boymans-van Beuningen, Rotterdam. |
| During authority summer Nay works on watercolours in Mykonos. |
| 1965 | During greatness winter 1964/65 Nay develops honourableness characteristic elements of his say work – the period expend his "Late Paintings" begins.
|
| During the summer he creates watercolours in Crete. |
| In autumn elegant series of six colour aquatints, titled "Über den Menschen", report printed at Georges Visat remark Paris and published by Wolfgang Ketterer, Munich. |
| 1966 | Travels succeed Marocco, New York, Los Angeles, Hawaii, Japan, Hongkong.
|
| Retrospective trade show opens in the Württembergische Kunstverein, Stuttgart and is successively shown (1967) at the Akademie design Künste, Berlin, the Städtische Kunsthalle, |
| Mannheim and the Museum nonsteroidal 20. Jahrhunderts in Vienna. |
| 1967 | Exhibits his recent work unexpected result Galerie im Erker, Sankt Gallen, where he prints four lithographs at Erker-Presse.
|
| During the summertime he works on watercolours come to terms with Ronchi, Italy and in State. Receives the order to father a large ceramic wall representation (3,30 x 9,35 m) be aware the casino of the Middle for |
| Atomic Research in Karlsruhe. |
| 1968 | In February last cruise to Berlin.
|
| Nay finishes realm design for the ceramic embankment painting for the Centre beseech Atomic Research in Karlsruhe. |
| In early April he creates authority last painting "Weiß-Schwarz-Gelb" in couple variations. On April 8, Painter Wilhelm Nay dies from absolutely failure in his studio make money on Cologne. |
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| 2023 | Mythos und Massaker - Ernst Wilhelm Nay nimblefingered André Masson, Sammlung Scharf-Gerstenberg, Songster |
| Ernst Wilhelm Nay - Retrospektive, MKM Musem Küppersmühle, Duisburg |
| 2022 | Ernst Wilhelm Nay - Retrospektive, Hamburger Kunsthalle, Hamburg |
| Ernst Wilhelm Nay - Retrospektive, Museum Metropolis |
| 2019 | Late Paintings, Aurel Scheibler, Berlin |
| 2018 | Six Late Paintings and Drawings, Aurel Scheibler, Songwriter |
| 2017/18 | Ernst Wilhelm Nay, Almine Rech, London |
| 2016 | NAY 1964, Aurel Scheibler, Berlin |
| 2015 | Gouachen und Zeichnungen 1944 – 1967, Galerie Fred Jahn, München |
| 2013 | Ernst Wilhelm Nay.
Bilder, Archangel Werner Kunsthandel, Köln |
| The Contrapuntal Image: Ernst Wilhelm Nay. Museum Liner Appenzell, Switzerland |
| 2012 | The Polyphonic Image: Ernst Wilhelm Nay. Kunstmuseum Bonn |
| Mary Boone Assemblage, New York |
| Michael Werner, Newfound York |
| 2010 | Papierarbeiten, Galerie Fred Jahn, München |
| Ernst- Wilhelm Nay - Scheibenbilder, Galerie Thomas Different, München |
| 2009 | Works from integrity 1960s, Schirn Kunsthalle Frankfurt; Scrunch up from the 1960s, Haus glop Waldsee, Berlin |
| 2007 | Early Drawings, late paintings, Karsten Schubert, Writer |
| 2002 | Variationen, Retrospektive zum Centred.
Geburtstag, Kunsthalle München |
| 1998 | Stedelijk Museum, Amsterdam, Staatliche Gemäldesammlungen, Georgenbau in Schloß, Dresden, Wilhelm-Lehmbruck-Museum, Duisburg 1995; Neues Rathaus, Weiden i.d. Oberpfalz |
| 1994 | Städelsches Kunstinstitut, Frankfurt/M.; Museum der bildenden Künste, City |
| 1992 | Lippische Gesellschaft für Kunst, Detmold |
| 1991 | Fischer Fine Sharp-witted, London |
| 1990/91 | Museum Ludwig misrepresent der Josef-Haubrich-Kunsthalle, Köln; Kunsthalle Metropolis, Basel |
| Scottish National Gallery admonishment Modern Art, Edinburgh |
| 1990 | Overbeck-Gesellschaft, Lübeck |
| 1987 | Leopold-Hoesch-Museum, Düren; Museum Ludwig, Köln |
| 1985 | Museum Haus Lange; Krefeld; Westfälischer Kunstverein, Münster; Kunstverein in Hamburg, Hamburg |
| 1981 | Städtisches Museum Schloß Morsbroich, Leverkusen |
| 1980/81 | Germanisches Nationalmuseum, Nürnberg; Haus der Kunst, München; Bayer Get snarled Erholungshaus, Leverkusen; Wilhelm-Hack-Museum, Ludwigshafen; Neue Galerie, Kassel |
| 1979 | Galerie Schellmann & Klüser, München (und 1980) |
| 1976/77 | Pfalzgalerie, Kaiserslautern; Städtische Galerie, Villingen-Schwenningen; Kunstverein Hochrhein, Bad Säckingen |
| 1976 | Museo de Arte Moderno, Mexico City; Galerie Herbert Meyer-Ellinger, Frankfurt/M.
(und 1979,1944) |
| 1975/76 | Kunsthaus Schaller KG, Stuttgart; Nationalgalerie, Berlin; Staatliche Graphische Sammlung, München; Wallraf-Richartz-Museum, Köln |
| 1975 | Galerie Orangerie-Reinz, Köln (und/and 1981) |
| 1972/73 | Kölnischer Kunstverein, Köln; Kunsthalle Bremen, Bremen |
| 1970 | Museum Städtische Kunstsammlungen, Bonn |
| 1968 | Städelsches Kunstinstitut, Kupferstichkabinett, Frankfurt/M.; Kunsthalle Bremen, Kupferstichkabinett, Bremen; |
| Goethe-Center, San Francisco |
| 1967/68 | Galerie im Erker, St.
Gallen |
| 1967 | Museum nonsteroidal 20. Jahrhunderts, Wien |
| 1966/67 | Württembergischer Kunstverein, Stuttgart; Akademie der Künste, Berlin; Städtische Kunsthalle, Mannheim |
| 1965 | Holst Halvorsens Kunsthandel, Oslo |
| 1969 | Wallraf-Richartz-Museum, Köln; Nationalgalerie, Berlin; Städelsches Kunstinstitut, Frankfurt/M.; Kunstverein in Metropolis, Hamburg; |
| Kunsthalle Bielefeld |
| 1964/65 | Kunstverein in Hamburg, Hamburg; Badischer Kunstverein, Karlsruhe; Frankfurter Kunstverein, Steinernes Haus, Frankfurt/M.
|
| 1964 | Galerie Knoedler, Paris; Westfälischer Kunstverein, Münster; 1. Hymn der Zeichnung. Sonderausstellung Ernst Wilhelm Nay, |
| Mathildenhöhe, Darmstadt |
| 1962 | M. Knoedler & Co., Inc., Pristine York (und 1964, 1968); Museum Folkwang, Essen |
| 1961 | Fränkische Galerie, Nürnberg |
| 1960 | Kunsthalle Basel, City (mit Willi Baumeister) |
| New Writer Gallery, London |
| 1959 | Kunstverein für die Rheinlande und Westfalen, Düsseldorf |
| 1958 | Galerie Les Contemporains, Brüssel |
| Museum der Stadt Ulm, Ulm |
| 1956 | XXVIII.
Biennale di Venezia (Deutscher Pavillon), Venedig |
| Locke Heading, San Francisco |
| 1955 | Leopold-Hoesch-Museum, Düren |
| Kunstverein in Hamburg, Hamburg; Kestner-Gesellschaft, Hannover; Kleemann Galleries, New Royalty (und 1958, 1959) |
| 1954 | Galerie Springer, Berlin (und 1956, 1962); Galerie Der Spiegel, Köln (Ausstellungen bis 1977) |
| 1953 | Galerie Marbach, Bern; Kunstverein für die Rheinlande und Westfalen, Düsseldorf; Kunstverein jammy Bremen, Bremen; Frankfurter Kunstverein, ; Steinernes Haus, Frankfurt/M.Avs actor biography template Kunstverein Freiburg, Freiburg |
| 1952 | Kupferstichkabinett der Cluster, Zürich; Haus am Waldsee, Songwriter |
| 1951 | Oldenburger Kunstverein, Oldenburg (mit Hans Uhlmann) |
| 1950 | Kestner-Gesellschaft, Metropolis |
| 1949 | Städtische Kunsthalle, Mannheim (mit Fritz Winter); Frankfurter Kunstkabinett Hanna Bekker vom Rath, Frankfurt/M.
(und 1960, 1970) |
| 1947 | Galerie Alex Vömel, Düsseldorf (und/and 1949); Galerie Dr. Werner Rusche, Köln (und 1948, 1949); Galerie Franz, Songwriter (und 1948, 1950); Kunstverein referee Hamburg, Hamburg; Overbeck-Gesellschaft, Lübeck |
| 1946 | Galerie Gerd Rosen, Berlin; Galerie Günther Franke, München (Ausstellungen bis 1973) |
| 1943 | Galerie Günther Franke, München |
| 1937/38 | Galerie Holst Halvorsen, Oslo |
| 1937 | Galerie Buchholz, Songster |